Synopsis
A white Hungarian director rehearses a play with five young Roma actors. His play tells their real-life stories of abuse, drug addiction, and crime. However, instead of representing the truth of their experiences, it only capitalizes on their pain and exploits them. The actors quit the play, only to find that their white director has already sold the show to Berlin’s biggest theatre and the premiere is looming. Their rehearsals turn into a surreal exploration of racism and white guilt, blurring the lines between fiction and reality – and the play and the film itself. The film features an all-Roma creative team and is based on an actual play written by them about their real-life stories, presented in Deutsches Theater, Berlin. It asks the question of whether left-wing white intellectuals trying to help people of color actually end up helping to perpetuate systemic racism. Can the artistic representation of Romas, the biggest ethnic minority of Europe, ever be done without falling back on racist stereotypes?
THREE THOUSAND NUMBERED PIECES
Adam Csaszi
Ádám Császi was born in Hungary in 1978. He graduated from Budapest's University of Theatre and Film Arts in 2010 where he was taught by István Szabó and Béla Tarr. His first feature 'Land of Storms' premiered in Panorama at Berlinale 2014 and was nominated for the Best First Feature Award and Teddy Award. It was in competition in Sarajevo 2014, and won the Special Jury Prize at the Taipei Film Festival 2014 as well as the Audience Award at Tel Aviv 2014. 'Land of Storms' also went to about 40 international festivals and sold to 7 regions, including US, UK, France, Germany and Spain. His second script 'High Dive' was part of the official selection of Berlinale Co-production Market 2015 and was selected for the Nipkow program. His short 'Seven days' received the Special Prize at the Hungarian Film Week in 2003, and 'Weak days' won the Best Short Film there in 2008. His 2009 short film 'Celebration' was invited to screen at the Warsaw Film Festival and at Brest European Short Film Festival in 2010. Császi also has past experience directing commercials, TV documentaries and music videos but since 2012 he has been working solely on his feature film projects.